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Now Showing — UntitledCommissions OpenLos Angeles · New EnglandMixed Media OriginalsNew Work — Issue 001
Now Showing — UntitledCommissions OpenLos Angeles · New EnglandMixed Media OriginalsNew Work — Issue 001
Allegory — I

The Allegory of the Phoenix Walker.

There once was a traveler born from a spark — small, finite, almost fragile. They emerged into the world like a candle lit in a storm, flickering but determined to burn. This traveler carried no map, only a pulse that whispered more.

In their early days, the traveler walked through valleys where shadows clung to their ankles. Death brushed past them more than once, curious, almost possessive. But each time, the traveler slipped through its fingers — not by luck, but by a stubborn, quiet refusal to stop moving.

One night, when the sky cracked open with lightning, the traveler nearly fell into the abyss. But instead of collapsing, they ignited. Their small flame roared into something brighter — something that looked suspiciously like wings.

From then on, the traveler became known as the Phoenix Walker.

The Phoenix Walker crossed continents, oceans, and borders not marked on any map. They learned from mountains, from strangers, from mistakes, from silence. Every lesson became a feather. Every hardship became a bone. Every near-death moment became fuel.

And each time they grew, the world around them shifted — because the Phoenix Walker didn't just travel through life. They traveled beyond the limits placed on them.

Their story was finite — every life is — but their becoming was not.

They shed their former selves like old skins, leaving versions of who they once were scattered across the world like artifacts. Anyone who found one could feel the echo of transformation humming inside it.

The Phoenix Walker was never finished. They were a horizon in motion.

A reminder that a finite life can still be a limitless myth. And that escaping death is not the miracle — becoming more than you were before is.

— Studio note, Vol. I

Allegory — II · a diptych

i. the mirror

hate looking into the mirror, hate to see my sunken eyes, or the deprived manifestos hidden between my lines, i hate my own name, i hate how its spelled, i hate that our world calls itself free yet forces me to pay just to be, i hate that i am not like them, i just exsit,

ii. the coal

i see that they turn you to coal just to nurn your ash, you see that i will take the heat i recieve, i remember who i am on levels that you cannot concieve, i stand above the fans, head up in the clouds, feet firm in the ground, with the wirld in my hands

— written in the dark. left uncorrected on purpose.

N° 001 — Cu₂CO₃(OH)₂Est. Studio 2019
Issue 001 — Contemporary Works

malachyteA horizon in motion.

I make work between Los Angeles and New England. Oil, paper, charcoal, whatever the day gives me. Originals, prints, and commissions — if it's a fit.

Field Notes

The walk, in fragments.

Photographs from the road between the two coasts. Not the work — the residue of what feeds it.

Vol. II — 09 plates

Under the bridge
Pl. 01
Under the bridgeVerrazzano — 02:14
Lovely light
Pl. 02
Lovely lightHandheld, long exposure
Iron & sky
Pl. 03
Iron & skyEast Coast — dusk
Arch, mid-thought
Pl. 04
Arch, mid-thoughtManhattan
Moon over the porch
Pl. 05
Moon over the porchConnecticut
The fallen waters trail
Pl. 06
The fallen waters trailUpstate NY
Balustrade
Pl. 07
BalustradeConnecticut
Bridge, motion
Pl. 08
Bridge, motionHandheld
Sparkle spot
Pl. 09
Sparkle spotMall interior — silhouette

01 / Selected

The Pieces

Currently Accepting

Walls waiting to be painted.

A commission is asking me to leave a feather in your world. Limited slots each season. Slow. On purpose.

Artist Statement

I paint what I couldn't say out loud yet. Then I keep painting until the surface says it back to me — clearer than I could've on my own.

The work is slow on purpose. Layers stack. Some get scraped off. Pieces sit in the corner of the room for weeks so I can catch them lying. What survives all of that is the piece.

Nothing here is decoration. It's a residue — of the walk, the fire, and whatever the day happened to hold.